(In cargo area of a ship. Two Asian crewmen, WOO and FONG,
enter, speaking Cantonese. Holding a flashlight, WOO leads a nervous FONG up to one of the
crates.)
WOO: (in Cantonese) Come on Fong. Don't be scared. Okay, here
it is. I saw them load it in Hong Kong.
FONG: (in Cantonese) Tell me what you think is inside.
WOO: (in Cantonese) Yesterday I put my face close to the box.
The thing inside tried to bite me.
FONG: (in Cantonese, not sure) Maybe it's a tiger.
(WOO carefully opens a hatch in the door of the crate and
shines his light inside. Two glowing red eyes look back at him and we hear heavy
breathing.)
WOO: (in Cantonese) Come on, Fong. Take a look. (FONG joins
him at the window) With eyes like that ... how can it be a tiger?
(Suddenly, the creature in the crate leaps snarling at the
window. WOO and FONG jump back, FONG falling to the floor. They stare at the crate which
is shaking violently with the force of the growling creature's struggles. After a few
moments, the crate suddenly stills. WOO cautiously creeps up and kicks the crate a couple
of times. No response.)
WOO: (in Cantonese) I think we killed it.
(WOO takes out a ring of keys and unlocks the crate. They
carefully open the crate and look inside. Their expressions turn from that of curiosity to
that of horror. [CarriK and CarriK's Husband agreed that these guys were so stupid they
deserved to die before the credits.] Cut to )
(Day. The T'ein Kou freighter is docked in San Pedro,
California. A police car pulls up to the docks. Cut to inside the hold. YEE, the
freighter's captain is leading the police down to the crate.)
YEE: This hold was secured in Hong Kong. I don't know how
this happened. It makes no sense. We found the cage still locked. Two of my men are
missing.
(As YEE and the officers walk around the crate, they see a
man, DR. IAN DETWEILER, mid-thirties, kneeling beside it.)
DETWEILER: (angry) Who's in charge here? You?
YEE: Who are you?
DETWEILER: My name is Detweiler. I'm the owner of this cargo.
I was to be notified immediately of its arrival. There's an animal in here, damn it. It
needs care.
(He looks pointedly at blood seeping out from the bottom of
the crate. KEE unlocks and opens the crate. He and DETWEILER look inside. They stare in
horror at the mutilated bodies of FONG and WOO.)
Opening Credits. Mulder Whooo. Scully rocks.
<SCENE 1>
FBI HEADQUARTERS 7:10 PM
(X-Files office. MULDER is pinning pictures of the two dead
crewmen from the teaser to his bulletin board. SCULLY is walking by the open doorway on
her way home. She stops and talks to him from the doorway.)
SCULLY: Aren't you going home?
MULDER: (not turning around) I am home. I'm just feathering
the nest.
SCULLY: Whatcha got?
MULDER: Two merchant marines found dead this morning in San
Pedro in the hold of their cargo ship.
SCULLY: Mind if I ask the cause of death?
MULDER: (casually, trying to peak her interest, very cute) On
the crime report it says multiple bite wounds.
SCULLY: From what?
MULDER: The Hong Kong manifest has the cargo listed as a dog.
SCULLY: A dog? (she starts to walk toward him) A
"dog" dog?
MULDER: Yo quiero Taco Bell. That alone is not what drew me
to this case. (turns and holds the file out to her) The two men were found inside the
container which was locked from the outside.
SCULLY: (looking through the file) What happened to the dog?
MULDER: (sitting close to her) Dog gone . Dog gone
(proudly) Doggone.
SCULLY: Yeah, I got it. Did anybody, um, examine the victims,
Mulder?
(Mulder nods, shrugs, smiles, and glances at the file in her
hands.)
SCULLY: Look, bite wounds are rarely lethal in themselves. I
mean, they are not the cause of death. They lead to it through the loss of blood, but,
uh... it makes you wonder how accurate this report is.
MULDER: Local PD wrote it up. Department of Fish and Wildlife
is on the case. I got an outside source says it was a dog.
SCULLY: Mulder, I don't have to tell you how absolutely and
completely wrong that seems. I mean, they were found dead in a locked cage, right?
MULDER: Yeah.
SCULLY: Two grown men?
MULDER: Mm-hmm.
SCULLY: (stares at him) You're not going to tell me that a
dog did this.
MULDER: A bad dog.
SCULLY: Yeah.
(He crosses back to his desk as she sighs and looks back down
at the file.)
<SCENE 2>
BELLFLOWER, CALIFORNIA [CarriK: CC's hometown! Sister city of
Bellefleur, Oregon?] 9:27 PM
(Suburban house. A large dog, golden retriever, is outside
barking at something behind the fence. JAKE CONROY, a young man in a dark uniform comes
out of his house to calm the dog.)
JAKE CONROY: Shh. Quiet. Jo-Jo, come on. Shh. Shh. Shh.
That's enough now. Come on. Come on. Come on. It's okay.
(He pets her head and sees the backlit outline of another dog
against the fence.)
JAKE CONROY: (yelling at the strange dog) Hey, get out of
here. Go on, git! (to JO-JO) Come on, inside. Come on. Come on. Inside. Inside. Inside,
Jo-Jo.
(He gets JO-JO inside and crosses over the dog at the fence.)
JAKE CONROY: Get out of here. Go on home. Go home.
(He looks over the fence. The dog has suddenly disappeared.
He looks up and down the deserted street, then goes back inside the house.)
JAKE CONROY: Jo-Jo? Here, girl. (heading for the bedroom) You
better not be on the bed. (sees JO-JO lying under a table) There you are. What are you
doing, girl? You nut. Big ol' lazy bones. Jo-Jo, what are you doing...?
(He reaches down and touches her. He looks at his hand now
covered in blood. The dog is dead. He hears a low growling and turns to see a wolf-like
dog staring at him and baring its teeth.)
JAKE CONROY: (terrified) Stay away. Go on.
(The dog's eyes glow red, the growling increases. Suddenly,
it leaps at JAKE CONROY who begins screaming. Camera cuts to outside and pans up to see
JAKE being thrown against the window by something unseen then he's pulled back into the
room. Cut to )
<SCENE 3>
SAN PEDRO, CALIFORNIA 7:42 AM
<Day. Dockyard with the freighter. Silver Ford Taurus
pulls up beside the ship and MULDER and SCULLY get out. Inside the hold, OFFICER JEFFREY
CAHN is looking at the bloody crate. MULDER and SCULLY come down the stairs.)
MULDER: Officer Jeffrey Cahn?
OFFICER JEFFREY CAHN: Yeah?
MULDER: (showing badge) I'm Special Agent Fox Mulder with the
FBI. This is my partner, Dana Scully. I think the LA field office would have contacted you
that we were coming down today.
OFFICER JEFFREY CAHN: Oh, yeah. I hope you don't mind - I had
to look around the ship with my men. We were pretty thorough.
SCULLY: (looking in the crate) What did you find?
OFFICER JEFFREY CAHN: Nothing conclusive, really, but I can
tell you the dog's not likely still on the ship.
MULDER: How did you determine that?
OFFICER JEFFREY CAHN: You ever owned a dog, sir?
MULDER: Yeah.
OFFICER JEFFREY CAHN: Had to clean up after it?
(MULDER smiles, raises his hands in agreement, then claps
them together and goes to look at the crate. [CarriK: Perhaps a reference to a DD
interview where he said he was really good at picking up dog poo.])
SCULLY: I don't suppose you can tell us what kind of dog this
is.
OFFICER JEFFREY CAHN: I'm not really sure. The man it was
shipped to's name is Detweiler. Dr. Ian Detweiler. Calls himself a
"cryptozoologist."
MULDER: (interested) Cryptozoologist?
OFFICER JEFFREY CAHN: Yeah they deal with animals thought to
be extinct.
MULDER: Animals that aren't supposed to exist like Sasquatch
and the Ogopogo and the Abominable Snowman and - - -
SCULLY: (interrupting) Don't mind him. He'll go on forever.
Did you have a chance to talk to this Dr. Detweiler?
OFFICER JEFFREY CAHN: About five minutes ago.
(DETWEILER enters the hold.)
DETWEILER: Officer Cahn, any progress?
OFFICER JEFFREY CAHN: Agents, Dr. Detweiler.
DETWEILER: Are you from the FBI?
MULDER: Yes.
DETWEILER: Who should I be speaking to about the theft of
this animal?
MULDER: Theft? What do you mean theft?
DETWEILER: This is a very valuable animal that's disappeared.
A rare breed and arguably a priceless specimen.
SCULLY: A breed of what?
DETWEILER: Wanshang Dhole. It's a canid.
MULDER: That's an Asian dog. Supposed to have been extinct
for the last 150 years.
DETWEILER: I was on the expedition that caught it.
OFFICER JEFFREY CAHN: Be that as it may-- we now have an
unquarantined animal loose.
MULDER: Loose? Sounds a little more than loose. It seems to
have killed two people.
DETWEILER: No. No. No. Let me assure you this is not a
predatory animal. Chinese folklore has imbued it with mythic qualities. But it doesn't
even hunt-- it scavenges.
(COP calls from the top of the stairs. They all look up at
him.)
COP: Where's Officer Cahn? I just got a report on the radio.
Some kind of vicious dog attack in Bellflower.
<SCENE 4>
BELLFLOWER 9:32 AM
(JAKE CONROY's house. Crime scene. MULDER carefully walks
across the yard to the fence, avoiding the piles of dog poo. He looks over the fence just
as JAKE CONROY did earlier. SCULLY walks over to him. She is carrying an open umbrella. TD
NOTE: It is not raining, a little overcast but not raining. Scully has no reason to be
holding an umbrella over her head, so I'm noting it :-)
MULDER: (indicating the dog poo) Watch your step.
SCULLY: Jake Conroy, age 30. He was employed as a customs
agent by the Federal Government. The bite marks match those of the victims on the Chinese
freighter. In this case, it bit off the man's hand. There's some talk in the house that he
may have been involved in the theft of the animal and that it turned on him.
MULDER: Talk about biting the hand that feeds you.
SCULLY: Well, it does make sense. I mean, a victim and his
dog are attacked inside of a house with all the doors shut. It couldn't have happened
unless the dog was being kept inside.
MULDER: If all the doors were shut, how did it get out?
SCULLY: Well, then what?
MULDER: I think we're speaking in too common terms about an
animal we're calling a dog but which displays none of the behavior of man's best friend.
SCULLY: You mean covering up crime scenes?
MULDER: (smiles) You get a biscuit, Scully.
SCULLY: So, you're talking about a dog that has human
intelligence. (MULDER looks innocent.) Well, even if there were such an animal where would
we even begin to look for one?
MULDER: With a human that thinks like an animal.
(SCULLY slowly nods her head with a "yeah-right"
attitude.)
<SCENE 5>
(MULDER and SCULLY drive up to BERQUIST KENNELS and park in
the driveway. Sound of dogs barking. They approach a young woman digging postholes for a
fence near the driveway.)
MULDER: Karin? Karin Berquist?
STACY MUIR: No. Stacy Muir. Just putting up this fence for
her. She's been having some coyote problems. You two looking for Karin about boarding?
MULDER: No, it's actually more of a behavior problem.
SCULLY: (glancing up at MULDER) Yeah, he doesn't listen and
he chews on the furniture.
(STACY MUIR chuckles.)
MULDER: (smiling and showing his badge) Just... can you tell
her the FBI's here to see her?
STACY MUIR: Right this way.
(STACY MUIR leads them into a very dimly lit office. There
are lots of books and artifacts on the walls and the many tables. All the blinds are
closed.)
STACY MUIR: Karin will be out in a moment, all right?
(STACY MUIR leaves and closes the door behind her. MULDER and
SCULLY are left in the near darkness.)
SCULLY: You sure this woman's not an authority on bats?
MULDER: Karin Berquist knows more about canine behaviorisms
than anybody on the planet. She's lived with wild canids and wolves in the wilderness on
five different continents. (opens the blinds on one of the windows)
SCULLY: How is it that you know so much about her but you
don't know what she looks like?
MULDER: I never actually met her.
SCULLY: Yet you assume that she's going to help us?
MULDER: No, actually, it's not an assumption. She is the one
who told me about his case.
SCULLY: (curious) Oh, so you two are chummy?
MULDER: Well, I've read her books.
SCULLY: (reading some of the titles) Ah. The Wolf Inside...
Dogs Don't Lie... Better Than Human... (looks up at MULDER) Better Than Human?
[CarriK: AutumnT also points out another interesting book on
female sexuality - "Nice Girls Do." Hmmm.] [TD notes the book right next to it -
"The California Dog Lovers Companion" .... hmmm ;-) ]
MULDER: She's not a real people person.
(SCULLY crosses to a desk, turns on the lamp and aims it at
the wall. The camera angle changes to show us what it is .... a poster on the wall ... a
poster which says "I Want to Believe". It is identical to the one in MULDER's
office that burned.)
SCULLY: Well, she seems to have made a connection to you.
(She and MULDER look at each other. The door opens and a
group of dogs enter followed by KARIN BERQUIST. She is mid-thirties, dressed all in black
and avoids eye contact.)
KARIN BERQUIST: (to the dogs) All right... Settle down.
Settle.
(The dogs all sit on the furniture. KARIN BERQUIST crosses to
the window and closes the blinds that MULDER had opened.)
MULDER: Karin? Fox. Fox Mulder. This is my partner, Dana
Scully. It's nice to finally meet you. (shakes her hand)
KARIN BERQUIST: I wish I'd known. I don't get many visitors.
Stacy tells me you have a question about behaviorism?
MULDER: Yeah, it's about the animal I'm tracking. The one you
mentioned in your e-mail - about its intelligence.
KARIN BERQUIST: Canids' intelligence is far superior to ours
if that's what you want to know.
SCULLY: Intelligence enough to murder?
KARIN BERQUIST: Murder takes no intelligence. It's a human
behaviorism.
MULDER: What about hunting?
KARIN BERQUIST: Coyotes use elaborate trickeries to draw out
their prey. Many canids do... alone or in packs.
SCULLY: What about a Dhole?
KARIN BERQUIST: If you mean the Wanshang Dhole, it's extinct.
Is there any other reason you came here?
(She looks up at MULDER - SCULLY watches them intently.)
MULDER: No. Thank you, Karin.
KARIN BERQUIST: (to the dogs) Come on.
(The dogs follow her out of the room and she closes the
door.)
SCULLY: Mulder... She's a friend of yours?
MULDER: We met online.
SCULLY: Online...
MULDER: Two professionals exchanging information.
<SCENE 6>
(Night. Police truck pulls up to a dark alley.)
OFFICER FIEDLER: (on radio) This is Fiedler. I'm at an alley
just south of Cooper in Signal Hill. Looks like something's been scavenging. I'm going to
check it out.
DISPATCHER: Copy that.
(He gets out of his truck, gets a long stick out of the back
(with an adjustable "noose" on the end for capturing animals), and heads into
the alley. Using the stick, he roots through some garbage and finds a severed hand, then
looks up to see a dog run past the end of the alley. He goes into the alley and on into a
warehouse. He goes into the basement. Dark, spooky hallway. He hears a sudden sound, and
turns quickly and sees a shape at the end of the dark hall.)
OFFICER FIEDLER: Hey! Hello, sir. I'm with US Fish and
Wildlife. Maybe you've seen a dog I'm looking for.
(The human figure silently walks toward him.)
OFFICER FEIDLER: Sir? Can you hear me?
(The human figure kneels down and slowly changes shape. It is
now a dog. It begins snarling at OFFICER FIEDLER, then leaps at his throat. OFFICER
FIEDLER screams.)
(Commercial 1.)
<SCENE 7>
8:34 AM
(Warehouse, later. Crime scene. MULDER and SCULLY enter and
are met by OFFICER JEFFREY CAHN who is extremely upset.)
OFFICER JEFFREY CAHN: You want to catch a killer? You arrest
that crypto son of a bitch who shipped that dog over here.
SCULLY: Is it the same dog?
OFFICER JEFFREY CAHN: That's Frank Fiedler over there. He's a
friend of mine. Damn good at his job. You think this kind of thing happens here every day?
MULDER: No, I'm sure it doesn't. We're just trying to catch
this animal just like you though, sir.
OFFICER JEFFREY CAHN: Oh, you can catch it. I want to kill
it.
(He walks away from them. SCULLY sees KARIN BERQUIST, dressed
in dark clothes head to toe, enter the warehouse.)
SCULLY: (quietly to MULDER) I don't think wolf-woman is here
to speak to me, I'll just ... ahh ... I'll take a look at the body.
(SCULLY leaves MULDER and goes to look at FIEDLER's body.
MULDER almost reaches for her, then sighs and greets KARIN BERQUIST.)
MULDER: I didn't expect you.
KARIN BERQUIST: "Dog eats dogcatcher." Story's all
over the news this morning. It's sort of uplifting.
MULDER: (not amused) Mm-hmm.
KARIN BERQUIST: I'm joking.
MULDER: Mm-hmm.
KARIN BERQUIST: Sorry.
MULDER: That's okay.
KARIN BERQUIST: I thought you might use some help.
MULDER: You said that a dog or a canid only hunts what it
needs but I've got four bodies with bite marks on it from an animal that seems to kill for
no other reason.
KARIN BERQUIST: Who are the victims?
MULDER: There's two men on the ship that it came in on, a
custom's agent, and now an officer from Fish and Wildlife. In fact, all these men could
have come in contact with the animal before the attacks.
KARIN BERQUIST: Classic dominant-alpha territorial behavior.
MULDER: No. This animal seems to have ranged many miles to
make its attacks. In each case it seems to have outsmarted or at least tricked its
victims.
KARIN BERQUIST: Unlike we homosapiens a canid's motives are
simple and direct. It would be an extraordinary case to find one who kills for sport.
Likely, we may never know. I'm sure someone will kill it first.
(They look over to where SCULLY is kneeling at the body with
DETWEILER.)
MULDER: This guy over here? He claims to have caught it once.
Maybe he can catch it again. He's Dr. Ian Detweiler. Do you know him?
KARIN BERQUIST: No, but I dislike him already.
DETWEILER: I've been over the area. If that was my animal
there's absolutely no evidence of it-- no prints, nothing whatsoever I can find.
MULDER: But it's still on the loose.
KARIN BERQUIST: How did you say you caught it originally?
(KARIN BERQUIST and DETWEILER stare at each other.)
MULDER: Oh, this is Karin Berquist.
DETWEILER: We tranquilized it after tracking it for two
weeks.
KARIN BERQUIST: You admire it, don't you?
DETWEILER: I admire its ability to survive.
KARIN BERQUIST: Think I'll look around, too.
MULDER: Mm-hmm.
(She goes to another part of the room. DETWEILER watches her
walk away.)
DETWEILER: Now, that's one strange bird.
(MULDER nods.)
(Outside, OFFICER JEFFREY CAHN is talking on his radio.)
OFFICER JEFFREY CAHN: (over radio) No, I'm leaving my dart
gun in the car. I'm going to live rounds from here on out. I don't care what the
regulations say. I shouldn't be asked to risk my life and neither should anyone else.
DISPATCHER: No one's asking you to risk your life, Cahn.
OFFICER JEFFREY CAHN: Fiedler's lying dead. You realize that?
(He hears a noise. Camera is panning around him and the truck
as if something is stalking him.)
DISPATCHER: Cahn, are you still there?
OFFICER JEFFREY CAHN: Look, we need more men out here. How
more many people have to go down before you guys listen? Look, I don't have a photo of
this animal. No one's even seen it. Now let's get more men out here so we can catch it and
kill it. If you want
(Hearing another noise, OFFICER JEFFREY CAHN turns quickly to
find DETWEILER standing right behind him, glaring.)
OFFICER JEFFREY CAHN: You scared me.
DETWEILER: You kill that dog, and I'll kill you.
(DETWEILER walks away.)
<SCENE 8>
(KARIN BERQUIST's office. She is sitting at her computer.
MULDER sits on her right and SCULLY stands behind them, looking over their shoulders.
There is an image of a dog's paw print on the screen.)
KARIN BERQUIST: This man Detweiler said he could find no
evidence at the scene but with very little effort I was able to find several tracks on the
floor of the building where the man was attacked.
SCULLY: Did they tell you anything?
KARIN BERQUIST: That this is a large, rangy animal with
primitive, even pre-evolutionary aspects. It isn't perfectly visible, but with the
computer I can enhance the prints so that you can see it. A fifth toe pad on the right
paw. Canids only have four toes.
MULDER: Uh, he's got a vestigial toe pad on his front paws.
Right there.
(MULDER places his hand over hers on the mouse and moves the
pointer over another part of the screen. SCULLY stares at their joined hands. After a
beat, MULDER moves his hand back to his chin. Everyone is a little tense.)
KARIN BERQUIST: The dewclaw, serving no purpose now. Although
some believe it was once a prehensile thumb.
SCULLY: And that's what you think the print indicates?
KARIN BERQUIST: I am told that this animal went in and out of
closed buildings.
SCULLY: Yeah, but just yesterday you dismissed the
possibility outright, that a dog or a... a canid, as you call it, would behave like this.
KARIN BERQUIST: I dismissed the idea of murder.
SCULLY: But you'll accept the idea that it behaves in every
other way like Jack the Ripper.
KARIN BERQUIST: (backing down) I'm just going by the facts.
In Chinese myth the Dhole can be evil, capable of opening doors, stealing wives and
disappearing into thin air. Maybe there is some basis in reality for this trickster myth.
SCULLY: (looking directly at her, then at MULDER) Oh, I'm...
fairly certain there is.
(SCULLY leaves the room. MULDER looks at the monitor. Cut to:
SCULLY is sitting in the car. MULDER gets in beside her and gets out the key. He pauses
and looks at SCULLY.)
MULDER: Everything okay, Scully?
SCULLY: How well do you know this woman, Mulder?
MULDER: How well do you know anybody you meet on the
internet? She likes to talk.
SCULLY: Well, I question her motives.
MULDER: You're suggesting that this case was a way to get me
out here, to meet me?
(SCULLY doesn't answer. MULDER smiles.)
MULDER: I'm flattered, but, no. I don't know this woman. I'd
go out on a limb and say there's no way in hell she has anything to do with those four
people being dead.
SCULLY: She's enamored of you, Mulder. Don't underestimate a
woman. They can be tricksters, too.
(They share a look.)
<SCENE 9>
6:21 PM
(RILEY ANIMAL CLINIC. ANGIE, owner of DUKE, the St. Bernard,
is talking to the veterinary assistant, PEGGY, in the reception area.)
ANGIE: So Dr. Riley wanted me to give Duke three pills a day.
Is the one bottle going to be enough?
PEGGY: Oh, we can get you a refill.
ANGIE: Okay.
(DETWEILER enters the vet and DUKE begins barking wildly and
trying to attack him.)
ANGIE: Duke Duke enough!
DETWEILER: Can't you control your dog?
ANGIE: I'm sorry. He gets this way with strangers sometimes.
DR JAMES RILEY: Let's take him outside.
ANGIE: Duke, come on.
DR JAMES RILEY: Excuse me. You got him? Good luck.
(ANGIE and DUKE leave. DR JAMES RILEY returns to DETWEILER.)
DR JAMES RILEY: Sorry about that. It's usually a well-behaved
dog.
DETWEILER: I'm Dr. Detweiler. I called about the animal
tranquilizer.
DR JAMES RILEY: The Telezol. I don't have much occasion to
dispense it. If I have any, it's very little.
DETWEILER: Well, I'll take whatever you've got.
(DR JAMES RILEY gets some boxes of medicine off of a shelf.)
DR JAMES RILEY: I have Etorphine. Can you use that?
DETWEILER: Yeah.
DR JAMES RILEY: Can I ask what these tranqs are for?
DETWEILER: An animal escaped from a pier in San Pedro.
DR JAMES RILEY: (concerned) Not that dog that's been
attacking people?
DETWEILER: If you don't mind, I'm in a bit of a hurry.
DR JAMES RILEY: Uh, this dog you're looking for-- you're not
looking around here?
DETWEILER: I'm afraid we are.
(DR JAMES RILEY watches as DETWEILER leaves. Later, he is
closing up the clinic.)
DR JAMES RILEY: (calling to the front of the building) Good
night, Peggy.
[Closed captioning: PEGGY: Good night.]
DR JAMES RILEY: Uh, be sure to relock that front door for me,
would you? I'll lock up back here.
[Closed captioning: PEGGY: Sure.]
(DR JAMES RILEY walks through the kennels talking to the
dogs.)
DR JAMES RILEY: Good night, Sparky. Bye, Dino.
(As he locks the back door and turns off the light, all the
dogs in the kennels begin barking. He walks up to one of the cages and looks at the dog
barking madly.)
DR JAMES RILEY: Hey, Buck. What's wrong, Buck? What's wrong,
Buck?
(He turns and sees the red-eyed wolf-like dog snarling at
him. As the dog runs to attack him, DR JAMES RILEY runs to the door to the office and gets
the door slammed closed and locked just in time.)
(Later, police cars arrive at the vet clinic. OFFICER JEFFREY
CAHN leads the team.)
OFFICER JEFFREY CAHN: Come on!
(They run inside and find DR JAMES RILEY.)
OFFICER JEFFREY CAHN: Where is it?
DR JAMES RILEY: He's trapped in a kennel behind that door.
OFFICER JEFFREY CAHN: How'd it get in there?
DR JAMES RILEY: Uh, it must have come around back.
OFFICER JEFFREY CAHN: Lowell and Shoen, go around back.
(looks through the frosted window in the door) All right, I'm going to open the door. Doc,
you're going to have to move back. I'm going to have to shoot him. (opens the door quickly
and sees the shape of a large dog) See him!
(OFFICER JEFFREY CAHN fires four shots.)
DR JAMES RILEY: You hit him?
OFFICER JEFFREY CAHN: I think so. He's down.
(Close up of the dog shows that it is the St. Bernard, DUKE.
DR JAMES RILEY goes over to the wounded dog.)
DR JAMES RILEY: Duke... It's the wrong dog.
(Later, OFFICER JEFFREY CAHN meets MULDER and SCULLY as they
arrive. It's raining. TD: And not a brolly in sight, sheesh!)
OFFICER JEFFREY CAHN: Came out for nothing.
MULDER: How's that?
OFFICER JEFFREY CAHN: Took out somebody's pet.
MULDER: What kind of pet?
OFFICER JEFFREY CAHN: St. Bernard. It was dark. I just saw
something moving.
(Inside the vet, DR JAMES RILEY is just finishing surgery on
DUKE.)
DR RILEY: Okay, Duke... All done, pal. You're going to be all
right. Now we got find out how you got back in here, huh?
(Close up on the dog's face. SCULLY enters the building and
finds a picture of KARIN BERQUIST with DR JAMES RILEY. Signature on the photo says
"To my good friend James Riley Stay well, Karin" She hears DR JAMES RILEY
screaming and goes to investigate, gun drawn.)
SCULLY: I'm a federal agent. I'm armed. If you can hear me,
don't move. Just stay where you are and tell me if you're okay.
(She finds the bloody body of DR JAMES RILEY on the floor
next to the table where DUKE is still lying. She hears footsteps.)
SCULLY: Mulder?
MULDER: Yeah?
SCULLY: Come take a look at this.
(MULDER enters. SCULLY is kneeling on the floor beside the
body.)
SCULLY: I'll call paramedics.
(She and MULDER leave the room. DUKE morphs into the
wolf-like dog and gets off the table.)
(Commercial 2)
<SCENE 10>
(KARIN BERQUIST is sitting in her dark office with her dogs.
She is looking at her computer monitor. SCULLY enters alone.)
KARIN BERQUIST: Where's Fox?
SCULLY: Continuing his investigation.
(SCULLY walks to a chair near Karin and looks at the dog
lying there. She gently shoves it off the chair and she sits, nicely setting the mood for
the rest of the scene, heh heh.)
KARIN BERQUIST: You're not working together?
SCULLY: No. This is my investigation.
KARIN BERQUIST: Of...?
SCULLY: You.
KARIN BERQUIST: I have no idea what you mean.
SCULLY: I thought at first that they were eccentricities or
affectations-- the dark, the clothes-- but it's photosensitivity. Your sleeves cover up
skin lesions. It's why you're here amongst the humans instead of out in the field.
Systemic lupus erythematosus.
KARIN BERQUIST: Lupus... From the Latin for "wolf."
Ironic, isn't it?
SCULLY: Ironic or perverse?
KARIN BERQUIST: I've ignored the symptoms for years. I've
always felt more like a wolf than a person.
SCULLY: But not with Mulder. With Mulder, you found somebody
you could communicate with.... someone who challenged you... But that wasn't enough. You
needed to lure him out here.
KARIN BERQUIST: I lack your feminine wiles.
SCULLY: (looks away for a moment) You don't believe it, do
you-- not for a minute-- that there's an animal out there killing?
KARIN BERQUIST: I don't believe that this man, Dr. Detweiler,
ever caught it. I lived in Asia. I know about the Wanshang Dhole and if it survived for
over a century it was because it was more cunning than man, more cunning than this man
Detweiler ever dreamed of.
SCULLY: More cunning than you?
(KARIN BERQUIST looks startled.)
SCULLY: (warning) I'm watching you.
KARIN BERQUIST: You watch... But you don't see.
<SCENE 11>
(At the vet, MULDER is scraping up bloody goo and going
through drawers. He finds receipts for boxes of the pills that DR JAMES RILEY gave to
DETWEILER. He picks up his phone and dials.)
(Cut to: OFFICER JEFFREY CAHN's car parked outside the
warehouse.)
DISPATCHER: Officer Cahn, we have an emergency phone call
we'd like to patch through to you. Officer Cahn, are you there? Officer Cahn, please
respond. Officer Cahn? Please respond.
(OFFICER JEFFREY Cahn runs up and picks up the radio.)
OFFICER JEFFREY CAHN: (on radio) This is Jeffrey Cahn. Go
ahead.
DISPATCHER: We have an FBI agent holding for you. I'm going
to patch him through now.
MULDER: (on phone) Officer Cahn?
OFFICER JEFFREY CAHN: (on radio) Agent Mulder.
MULDER: (on phone) Yeah, I'm back here at the animal clinic.
You know Detweiler had been here?
OFFICER JEFFREY CAHN: (on radio) Dr. Detweiler was there?
MULDER: (on phone) Yeah. He signed for something. It looks
like, uh... Eet... Etorfeen, Etorphine?
OFFICER JEFFREY CAHN: (on radio) Tranquilizers-- ampules.
MULDER: (on phone) Are you anywhere near here at all?
OFFICER JEFFREY CAHN: (on radio) Not far. Why?
MULDER: (on phone) You have access to a lab. There's
something I'd like for you to check for me.
OFFICER JEFFREY CAHN: (on radio) I'll be there in 15 minutes.
(OFFICER JEFFREY CAHN gets into his truck and gets out his
keys. He looks in the rearview mirror and sees the wolf-like dog in the backseat growling
at him, eyes glowing red. He screams at the dog jumps at him. Exterior shot shows the
truck rocking and we hear him yelling.)
<SCENE 12>
LOS ANGELES COUNTY HOSPITAL TORRANCE , CALIFORNIA
(Next morning. MULDER enters the hospital and goes to OFFICER
JEFFREY CAHN's room. He is unconscious. DETWEILER is sitting beside the bed.)
MULDER: What are you doing here?
DETWEILER: I'd heard what had happened. I didn't know how bad
he would be. I thought I might get a description of the animal.
MULDER: How did you learn about the attack?
DETWEILER: I'd been in contact with Officer Cahn. I learned
through his office.
MULDER: No, you didn't. No, you hadn't. Officer Cahn didn't
want to have anything to do with you.
DETWEILER: He was going to kill it.
MULDER: Does that frighten you?
(MULDER pulls him up and out of his seat.)
DETWEILER: (defensive) Please, sir. This is ridiculous.
MULDER: You aren't hunting this animal. You know very well
that it can't be caught.
DETWEILER: Then how did I bring it here?
MULDER: That's what no one can figure out except for Karin
Berquist. She knows what was in that cage and she knows that it must be killed and that's
the thought that she can't bear because she doesn't want this thing to be extinct any more
than you do.
DETWEILER: You're not making any sense.
MULDER: No, I think I am. You went to China looking for that
animal and you may have tracked it as you claim but the rest is far from the truth. You
found the Wanshang Dhole, but you never caught it. It caught you. You may not have known
what was happening to you at first but you're well aware now-- that when night comes, you
stop being yourself.
DETWEILER: That's insane.
MULDER: No, you become the trickster-- a shape-shifting man
who becomes an animal.
DETWEILER: (starting to leave) I've heard enough.
MULDER: (stopping him) No. You killed because you could. You
may have resisted it at first. You may have hated what you'd become. Eventually it took
you over. That's where the tranquilizer came in. I found traces of Etorphine and animal
blood at the clinic. You injected yourself with the tranquilizer hoping to stop the
killings... But they didn't and they haven't and they won't.
(DETWEILER leaves. As he walks down the hall, he is
approached by KARIN BERQUIST.)
KARIN BERQUIST: I protected you as long as I could. I won't
any longer.
(MULDER comes into the hall and sees them. They all make eye
contact. KARIN leaves.)
(Commercial 3.)
<SCENE 13>
(KARIN BERQUIST is sitting at her computer with her back to
the door. Dogs pant contentedly as MULDER enters her office. She addresses him without
turning around to face him.)
KARIN BERQUIST: I can usually get a sense of a person right
away from the dogs. Dogs are the best judges of character I know.
(MULDER scratches a dog's head affectionately. KARIN makes a
sound with her mouth and nods her head at the dog in a "get down" motion. After
the dog vacates the chair, MULDER sits across from KARIN BERQUIST, and sighs.)
MULDER: I'm sensing something myself here. I'm thinking maybe
I've been misled, that you haven't been totally honest with me about this case.
KARIN BERQUIST: I've been honest with you, though perhaps not
myself. I was looking forward to meeting you. I wouldn't admit how much.
MULDER: But you might also have admitted what you knew about
this animal-- that it wasn't an animal at all.
KARIN BERQUIST: I heard the reports and called you out if
only so you could disprove them. What I knew was it couldn't be a dog responsible for
those killings.
MULDER: It's Detweiler, isn't it?
KARIN BERQUIST: Yes.
MULDER: So you knew that and didn't say.
KARIN BERQUIST: I only realized it when I saw him. My failure
was in thinking I was protecting the animal. That by deceiving you, it might be captured
alive. He's got to be put down, Fox. It's the only way to stop this.
MULDER: I've got Scully on him, tailing him, watching his
every move.
KARIN BERQUIST: He'll elude her easily.
MULDER: So, where's he going to go?
KARIN BERQUIST: To the man he only wounded-- to the hospital,
to finish the kill.
(MULDER picks up her phone and dials.)
MULDER: (on phone) Scully, it's me. You got to get to the
hospital. You got to make sure Cahn is protected. Yeah, he's in danger.
(While MULDER talks to SCULLY, KARIN BERQUIST looks sadly at
the "I Want to Believe" poster on her wall.)
<SCENE 14>
(Hospital corridor. MULDER enters and finds SCULLY sitting on
a couch reading a magazine. She gets up and faces him as he approaches.)
SCULLY: (not pleased) Now tell me why you pulled me away from
the suspect and chained me to this chair? 'Cause I haven't seen hide nor hair of Detweiler
since I've been here.
MULDER: (sitting on the couch) That's aptly put... but it's
not yet dark. You should take a load off. We might be here all night.
SCULLY: What do you mean?
MULDER: It's Detweiler... but it's not Detweiler. It's
something that he becomes.
SCULLY: (warning) Mulder...
MULDER: Through some blood curse, this man undergoes some
kind of nocturnal transformation. He becomes the same shape-shifting trickster as that
mythical dog.
SCULLY: So, what is he going to do? Walk in here, skitter
across the linoleum and pee in the corners?
MULDER: It's about territoriality. He's going to come back
here tonight to make sure his dominance isn't challenged. He's going to put down the
threat he failed to eliminate when he attacked Cahn. Karin Berquist confirmed it.
SCULLY: Mulder, the only thing Karin Berquist is interested
in is you.
(MULDER chuckles dismissively.)
SCULLY: You're kidding yourself if you think that she hasn't
manipulated this entire situation for her own purposes.
MULDER: He'll come here tonight, Scully. You'll see.
(MULDER picks up her magazine to read it. SCULLY smoothly
takes it back and sits beside him and begins reading. He sighs and reaches into a pocket -
probably for some sunflower seeds.)
(Cut to : BERQUIST KENNELS. KARIN BERQUIST is settling dogs
in the outdoor pens for the night. She hears a noise and senses something near by.)
2:02 AM
(Cut back to hospital corridor. MULDER is reading SCULLY's
magazine. SCULLY sits beside him, head back and snoring softly. He checks his watch, then
stands and gently brushes her face with the magazine.)
MULDER: He's not coming.
(SCULLY sighs, waking up slowly.)
SCULLY: Well, you've got no argument from me.
MULDER: (disappointed) He's not coming here tonight. Karin
knew that. She lied to me.
(Cut back to KARIN BERQUIST's office. She goes upstairs and
reluctantly loads a dart into a tranquilizer gun. She sits and looks in the direction of
the window but is too far away to see out. Cut to outside as we see the dog run across the
yard. Inside, KARIN shivers and draws in a sharp breath as if she saw and/or felt the dog
as well. Her phone rings, startling her. She takes the phone off the hook.)
MULDER: (on phone, voice) Karin, it's Fox Mulder. I know what
you're doing. If you can hear me, lock your doors. I'm on my way. (he hangs up)
(Downstairs, the dog has entered the house. It goes upstairs.
She hears a growl and sees the wolf-like dog snarling at her. She aims the gun, then
slowly sets the gun on the table and faces the dog.)
KARIN BERQUIST: (softly coaxing) Come on, dog. Come on. Come
on.
(With a final snarl the dog launches himself at her throat.
Outdoor shot shows them both come crashing through the second floor window and falling to
the ground. Dogs bark wildly.)
(MULDER and SCULLY arrive and find DETWEILER's naked body
impaled face-up on one of the fence poles.)
SCULLY: Mulder...
MULDER: Yeah.... It's Detweiler.
(They then see KARIN BERQUIST's body lying on the ground next
to him. They both go over to her but it's too late, she's dead. SCULLY looks up at MULDER
sympathetically. He shakes his head slightly.)
<SCENE 15>
(X-Files office. MULDER sits with his head in his hands.
SCULLY enters.)
SCULLY: You going home?
MULDER: (looking exhausted) Yeah, pretty soon.
SCULLY: You think this is your fault.
MULDER: (sighs) I think that I... believed her very quickly.
I think maybe that was my fault, yeah.
(SCULLY sits on the corner of his desk.)
SCULLY: Why wouldn't you believe her?
(MULDER has picked up a letter opener from his desk and
begins half-heartedly cleaning his fingernails with it.)
MULDER: I barely knew her.
SCULLY: (gently) Well, she had a lot of secrets, that's for
sure. I think that Karin Berquist lived by her instincts. She sized people up pretty
quickly and I think she figured you out to a "T." (MULDER looks up at her.) I
think she saw in you a kindred spirit, Mulder. She may not have been able to express that
to you. Maybe what she did was the highest form of compliment.
(MULDER looks at her and sighs.)
SCULLY: You going to be okay?
MULDER: (smiles) Uh, yeah.
SCULLY: Oh. This came for you.
(She hands him a long mailing tube.)
MULDER: Thank you.
(SCULLY leaves the office. MULDER looks at the return
address. It is from BERQUIST KENNELS. 917 Creekview Rd. Topanga, CA 90290. SCULLY gets her
jacket and he watches her leave. He opens the tube and removes a poster. He looks at it,
then pins it to the wall. He sits in his chair and looks up at it. It is the "I Want
to Believe" poster from KARIN BERQUIST's office. )
The End. Transcribed by CarriK
Writer: Jeffrey Bell Director: Peter Markle
STARRING: David Duchovny as Special Agent Fox Mulder Gillian
Anderson as Special Agent Dana Scully
Yau-Gene Chan as Woo Tuan Tran as Fong Andrew J. Robinson as
Dr. Ian Detweiler Dana Lee as Yee James Michael Connor as Jake Conroy Thomas Duffy as
Jeffrey Cahn Lisa Picotte as Stacey Muir Melinda Culea as Karin Berquist Mandy Levin as
Angie Michael Mantell as Dr. James Riley Treva Tegymeier as Peggy Adrienne Wilde as Nurse
David Starwalt as Cop
Bei Microsoft ist ja schon länger alles mögliche "active" geworden (ActiveX, Active Directory etc.), was immer stärker auf die Sprache abzufärben scheint: "Sie können [...] die Option Benutzerkonto deaktivieren deaktivieren, um den Benutzer zu reaktivieren." Gefunden in Microsofts deutscher Übersetzung des "Windows 2000 Best of the Newsgroups" aus dem englischen TechNet